片名:《膽包天》

類型:動(dòng)作片

上映時(shí)間:1975

上映地區(qū):其它

導(dǎo)演:翁貝托·倫齊

主演:托馬斯·米連,約瑟夫·科頓,Maria,Fiore,Mario,Piave,盧西亞諾·卡蒂納齊,圭多·阿爾貝蒂,費(fèi)米·貝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,羅薩里奧·博雷利,盧西亞諾·皮格齊,馬里奧·諾維里,布魯諾·迪·魯亞,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastr

集數(shù): 更新至0集

語(yǔ)言:其它

【天樂(lè)影院】推薦電影膽包天高清在線觀看完整版720P播放地址，這是一部追求真實(shí)的其它動(dòng)作片，展現(xiàn)了社會(huì)與人性的多面性，讓人大開(kāi)眼界。膽包天的導(dǎo)演翁貝托·倫齊巧妙地運(yùn)用鏡頭語(yǔ)言，將故事情節(jié)展現(xiàn)得淋漓盡致，讓觀眾們?nèi)缤砼R其境。

《膽包天》觀后點(diǎn)評(píng)：膽包天的故事設(shè)定太有意思了！充滿了新奇和創(chuàng)意，讓人越看越好奇后面會(huì)怎樣發(fā)展；膽包天的演員有托馬斯·米連,約瑟夫·科頓,Maria,Fiore,Mario,Piave,盧西亞諾·卡蒂納齊,圭多·阿爾貝蒂,費(fèi)米·貝努西,Silvano,Tranquilli,Shirley,Corrigan,Antonio,Casale,羅薩里奧·博雷利,盧西亞諾·皮格齊,馬里奧·諾維里,布魯諾·迪·魯亞,Giuseppe,Castellano,Tom,Felleghy,伊妲·伽利,Adolfo,Lastr，他們個(gè)個(gè)演技精湛，將膽包天的角色性格特點(diǎn)表現(xiàn)得淋漓盡致，讓觀眾情不自禁地為之喝彩，真是一部好看的電影。

《膽包天》抖音網(wǎng)友點(diǎn)評(píng)：膽包天由導(dǎo)演翁貝托·倫齊執(zhí)導(dǎo)拍攝，剪輯手法獨(dú)具匠心，每一個(gè)過(guò)渡和剪輯都恰到好處，給人以耳目一新的感覺(jué)；膽包天的音樂(lè)配樂(lè)優(yōu)美，旋律中藏著故事， 畫(huà)面里流淌情感，這是一部精彩的電影，打動(dòng)了觀眾的情感，讓人感到震撼。

膽包天講述了：Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!