片名:《冰刀》

類型:恐怖片

上映時(shí)間:1972

上映地區(qū):其它

導(dǎo)演:翁貝托·倫齊

主演:卡羅爾·貝克,艾倫·斯科特

集數(shù): 更新至0集

語(yǔ)言:其它

【天樂(lè)影院】推薦電影冰刀高清在線觀看完整版720P播放地址，這是一部追求真實(shí)的其它恐怖片，展現(xiàn)了社會(huì)與人性的多面性，讓人大開(kāi)眼界。冰刀的導(dǎo)演翁貝托·倫齊巧妙地運(yùn)用鏡頭語(yǔ)言，將故事情節(jié)展現(xiàn)得淋漓盡致，讓觀眾們?nèi)缤砼R其境。

《冰刀》觀后點(diǎn)評(píng)：冰刀的故事設(shè)定太有意思了！充滿了新奇和創(chuàng)意，讓人越看越好奇后面會(huì)怎樣發(fā)展；冰刀的演員有卡羅爾·貝克,艾倫·斯科特，他們個(gè)個(gè)演技精湛，將冰刀的角色性格特點(diǎn)表現(xiàn)得淋漓盡致，讓觀眾情不自禁地為之喝彩，真是一部好看的電影。

《冰刀》抖音網(wǎng)友點(diǎn)評(píng)：冰刀由導(dǎo)演翁貝托·倫齊執(zhí)導(dǎo)拍攝，剪輯手法獨(dú)具匠心，每一個(gè)過(guò)渡和剪輯都恰到好處，給人以耳目一新的感覺(jué)；冰刀的音樂(lè)配樂(lè)優(yōu)美，旋律中藏著故事， 畫面里流淌情感，這是一部精彩的電影，打動(dòng)了觀眾的情感，讓人感到震撼。

冰刀講述了：This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.